Emily Jacir
This month I reviewed Palestine C/O Venice for The Economist. I felt the pavilion was extremely successful in displaying art work from Palestine-based artists and those in the diaspora. Due to politics, the exhibit was a collateral event and not technically allowed to participate as full-fledged pavilion. Read the article for more information on its evolution and a review of the work.
The Economist: Making Room for a \"Stateless Nation\"
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